8 (902) 019-19-42

Museum

of Ancient Musical
Instruments

An interactive museum where you can learn everything about ancient musical instruments and enjoy their live sound.

History of musical instruments

Изменить

The musical giftedness of the Suvaro-Bulgar-Chuvash was noted by S.M. Mikhailov, A.F. Rittikh, V.A. Sboev, V.A. Moshkov, and many others.

Their music harmoniously combined minor tonality, gentle melancholy, deep emotional warmth, and sincere heartfelt expression.

For them, music was a source of happiness, health, and inspiration, and was treated as something deserving special respect and attention.

Since ancient times, the Suvaro-Bulgar-Chuvash believed in the divine power of music, capable of enchanting people, animals, and even nature itself.

In numerous tales and legends, their attitude toward music and singing was vividly revealed, telling of the deep friendship between song and the people.

Music and song accompanied their ancestors throughout life: in daily labor, during recreation, in joy, and even in sorrow.

In folklore, a song is compared to a beautiful maiden. Many songs are dedicated to the song itself, where people address it as their closest friend — a faithful companion in life.

These songs also describe how a kind song supported the people in difficult times, helped them resist evil and injustice, oppression and tyranny, uplifting the spirit and filling the soul with invincible strength and emotional energy.

A distinctive feature of Suvaro-Bulgar-Chuvash music compared to Turkic-speaking peoples is its predominantly collective performance. While Turkic nomads, living in relative isolation, preferred solo singing and individual instrumental playing, agricultural Suvaro-Bulgar-Chuvash communities used solo performance mainly in ritual folklore — for example: săpka yurri (lullaby), hĕr yĕrri (bride’s lament), and during individual labor such as handicrafts, including lyrical songs. Traditional Suvaro-Bulgar-Chuvash songs embody a remarkable love of music. The well-known collector of musical folklore, ethnographer V.A. Moshkov, called the Chuvash “the most musical or the people who love music most.” Historical accounts preserve impressions of European travelers who happened to witness a Chuvash wedding: “Half the village dances and sings, half the village plays musical instruments, and then they change places.” The Suvaro-Bulgar-Chuvash performed both solo and in ensembles using a wide variety of instruments. Like other agricultural peoples, they maintained two main annual festive-ritual cycles accompanied by song and dance: calendar-based and family-life rituals. In the first cycle, during traditional agricultural celebrations and ritual offerings, ethnic songs expressed the essence of these ceremonies — the culture and customs of the Suvaro-Bulgar-Chuvash people.

In the second cycle, family and domestic songs accompanied the Suvaro-Bulgar-Chuvash from birth to the end of life.

Изменить

The well-known dictionary of the Suvaro-Bulgar-Chuvash language by N.I. Ashmarin contains more than 150 musical terms, proving the existence of a deep and ancient musical foundation.

Suvaro-Bulgar-Chuvash musical instruments were remarkably diverse and unique in number, exceeding 50 distinct types.

Nearly all 18th–19th century ethnographic researchers noted the widespread use of musical instruments among the Suvaro-Bulgar-Chuvash: G.F. Miller, P.S. Pallas, N.A. Fuks, V.A. Sboev, A.F. Rittikh, V. Nikolsky, V.D. Dmitriev, and others.

Later, major contributions to the study of Suvaro-Bulgar-Chuvash music and instruments were made by V.A. Moshkov, V.M. Krivonosov, S.M. Mikhailov, F.P. Pavlov, Yu.A. Ilyukhin, A.I. Ivanov-Yekhvet, M.G. Kondratyev, V.S. Chernov, N.A. Fomiryakov, A.A. Osipov, and others.

Researchers observed that Suvaro-Bulgar-Chuvash children received musical education from an early age, absorbing the full richness of folk music.

Due to particular historical conditions, ancient musical traditions developed for centuries within a relatively closed cultural environment, avoiding outside influence. Musical art was preserved and refined in close connection with folk traditions and rituals. The academic community has established that the most ancient ancestors of this people — the Subarians — inhabited many regions of Eurasia beginning in the 4th millennium BCE: Subartu in the Fertile Crescent region of Mesopotamia, the Caucasus, the Black Sea region, Central Asia, the Altai, the Volga region, the Balkan Peninsula, and beyond.

Over many centuries they created several state formations: Subartu in Western Asia, Subeisi in the Altai, Great Bulgaria, Danube Bulgaria, the Suvar Kingdom, the Khazar state in the Caucasus, and from the late 7th century Volga Bulgaria on the territory of present-day Samara and Ulyanovsk regions, the republics of Tatarstan and Chuvashia, parts of Mari El, Udmurtia, Mordovia, Bashkortostan, and areas of the Penza and Murom regions.

Through repeated migrations of the Suvaro-Bulgars, their musical instruments spread among many Eurasian peoples. Their musical culture undoubtedly influenced Turkic peoples as well as other neighboring cultures.

Изменить

Folk Suvaro-Bulgar-Chuvash instruments were classified by sound source into: hĕlĕkhlisem (string), vĕrmellisem (wind), çurhalisem (membrane), and hăy tĕllĕn yanrakannisĕm (self-sounding).

In hĕlĕkhlĕ (string) instruments, sound was produced by one or several strings stretched between fixed points over a resonator. The strings were set in motion either by a bow or by fingers, and accordingly these instruments were divided into sĕrkĕchlisem (bowed) and turtăçlisem (plucked).

The sĕrkĕchlĕ (bowed) category included two types of sĕrme kupăs (violins) with carved and composite bodies. Sound on these instruments was produced using a sĕrkĕch (bow).

Variants of the name included kupăs, sĕrme kupăs, and hăma kupăs. According to an unknown 19th-century author, no household celebration, wedding, funeral, or memorial gathering took place without violin playing.

In legends and tales, the violin was attributed divine origin. The kupăs (violin) accompanied a person throughout life — from birth to the very end of the life journey. Its popularity is reflected in the fact that the term kupăs was also used to name other instruments: tuta kupăs (accordion), timĕr kupăs, văruan (jaw harp), and others.

Research into the Chuvash language and musical artifacts indicates that such instruments existed among the Suvaro-Bulgars during the period when their distant ancestors — the Subarians — lived in Western and Central Asia, the Caucasus, and the Black Sea region long before the Common Era.

The Bulgarian historian S.G. Donchev reports that the string instrument (both bowed and plucked) was known to many Mediterranean peoples under names derived from the ethnonym Bulgar: in Turkey, France, and Algeria as bulgarina, in Spain as bulgarija, and in Serbia, Croatia, and Albania as bulgary.

Ancient musical instruments

Plucked and bowed string instruments. Kupăs, Kĕsle, Palalay, Tăvatkal kĕsle and many other instruments. Listen to live sound and discover unique exhibits!

Çurakhkhisem, Çapmallisem, Turtăçlĕsem — mirliton, percussion, and plucked musical instruments. Parappan, Chan, Tunkăr, Tӳnkki and many other instruments with live sound!

Reed (chelĕkhlisem), flute (shăkhărtmallisem), and mouthpiece (shăkhransem) instruments — Kaval, Părăh, Shăkhlich, Palnay, Shăpăr and many other exhibits with live sound!

Makers and performers

Since ancient times, almost every settlement had instrument makers, and instruments were often crafted both by professional masters and by the performers themselves. V.M. Krivonosov and N.V. Nikolsky noted that Chuvash carpenters from the Bugulma district of the Samara province and from the Kozmodemyansk and Chistopol districts of the Kazan province skillfully produced violins, harmoniums, and gusli. Musical instruments made by Suvaro-Bulgar-Chuvash masters were successfully sold in the Vyatka, Kazan, Simbirsk, and Ufa provinces, as well as in Moscow, Kazan, Nizhny Novgorod, and Kurmysh. The instruments were exhibited in Moscow, Saint Petersburg, Nizhny Novgorod, Kazan, and Kyiv, consistently receiving high praise from connoisseurs. Even before 1914, gusli made by Suvaro-Bulgar-Chuvash masters were displayed in music shops of Zimmermann in Moscow and Bruno in Kazan as foreign instruments. In the mid-20th century, instrument makers from Chuvashia were famous throughout the Volga region. For example, M. Fillipov from the village of Oldeevo in the Cheboksary district crafted more than 500 string instruments.

Vitaly Adyukov

Playing the shapar (bagpipe)

Vladimir Mikhaylov

Instrument maker

Instructions for filling out the form

1. If your child has an insurance policy, simply enter it. If not, fill in all other fields, and put a dash in the insurance policy field.
2. You MUST download, complete, and sign the contract with all attachments. Keep a copy signed by us with an electronic digital signature for yourself.

Documentation

Your certificate

IMPORTANT

Meeting time and place – 09:00, Railway Station Square, Kanash.
For children from Cheboksary – 07:00, Railway Station Square, Cheboksary.
You can find the meeting date in your certificate.
You do not need to bring many вещей, a small backpack is enough 😀
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Instructions for filling out the form

1. If your child has an insurance policy, simply enter it. If not, fill in all other fields, and put a dash in the insurance policy field.
2. You MUST download, complete, and sign the contract with all attachments. Keep a copy signed by us with an electronic digital signature for yourself.

Documentation

Fill in the following fields if there is no insurance policy

Your certificate

IMPORTANT

Meeting time and place – 10:00, Theater Square, Cheboksary. You can find the meeting date in your certificate.
You do not need to bring many items, a small backpack is enough 😀
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Подпишитесь на рассылку

Узнавайте первыми об акциях, спецпредложениях и уникальных мероприятиях!

Sign up for the week-long program!

Need additional services?
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Sign up to take part in the festival!

Need additional services?
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Sign up for a photo session at the ethno-complex!

Need additional services?
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Sign up to participate in the tour!

Need additional services?
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Sign up to visit the ethno-bathhouse!

Need additional services?
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Sign up for an экскурсия at a convenient time!

Need additional services?
Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3

Have questions? We can help!

Сайт защищён Google reCAPTCHA с применением Политики конфиденциальности и Правилами пользования. Скрытие reCaptcha V3